With the standards for HD delivery ever rising, understanding the workflow for postproduction and finishing using RGB 4:4:4 Dual link video materials, Gamma Curves, LUTs, and Raw Data is essential. So, too, is an insight to emerging 2K and 4K workflows.

COVERED IN THIS SESSION:

HD is now pushing the bounds of digital technology with 4:4:4, 2K and 4K set as the next milestones in the desktop digital frontier. Join us to see some of the newest technology available for DI and finishing for projects for now and in the future.

THIS SESSION IS FOR:

Videographers or filmmakers.

COST: $59

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ABOUT GARY ADCOCK

With vast expertise in cameras and production technologies and how they relate into post production, Gary Adcock is the founder & principal information architect at Studio 37 Inc. and works as a I/A 600 DIT and 3D Stereographer. A regular contributer to Macworld, LLC., Gary is also a regular writer, moderator and blogger at CreativeCow.net and is co-author of  the Data Handling Procedures and Best Practices documentation for IATSE Local 600 (Cinematographers Guild.)  Gary is also a presenter and programmer of NAB production workshops.

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ALL SEMINARS

Gary Adcock  
Trials & Troubles to look for in HD Production
June 19 | 9:30 – 11AM | $59

Gary Adcock  
Working in HD with Mixed Formats
June 19 | 12:45 – 2:15PM | $59

Gary Adcock  
Monitoring: On Set & in Post
June 19 | 2:45 – 5PM | $59

Gary Adcock  
File-based Acquisition & Workflow
June 20 | 9:30 – 11AM | $59

Gary Adcock  
Working with 4:4:4 Content: 2K and Beyond
June 20 | 12:45 – 2:15PM | $59

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